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Gustave Doré — Rabelais: Gargantua & Pantagruel | Grotesque Comic Engravings | LoRA (Krea2 Turbo)
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Gustave Doré — Rabelais: Gargantua & Pantagruel | Grotesque Comic Engravings | LoRA (Krea2 Turbo)
LoRA trained on Gustave Doré's complete illustration cycle for François Rabelais' Gargantua and Pantagruel (first edition 1854, revised 1873): over 400 wood engravings of giants, feasts, battles, storms and bawdy Rabelaisian chaos. This is the other Doré — not the sublime tenebrist of the Divine Comedy, but the comic grotesque: dense crowds, caricatured faces, scale-gags of giants versus tiny humans, and 16th-century French costume rendered with the same virtuoso engraved line.
Trained and tested on Krea2 Turbo .
About the Project
Paul Gustave Doré (1832–1883) illustrated Rabelais at the start of his mature career. The 1854 edition made his name as a book illustrator; the revised 1873 edition expanded the cycle to more than 400 plates. Where the Divine Comedy (1861–68) shows Doré as visionary and tenebrist, the Rabelais cycle shows him as satirist and crowd-choreographer : taverns, markets, battles, processions, and the endless visual joke of the giant body in a tiny world.
Fontes
1 fonteArtefatos de modelo
1 artefatoGustave_Dore_-_Illustrations_for_Gargantua_und_Pantagruel_by_Francois_Rabelais_epoch_10.safetensors
safetensors · BF16 · 218 MB · SHA-256 f4d17f653efd…6aee · Civitai
BaixarTrechos de fonte
1 trechoSource context: 206 downloads · Type LORA · Base model Krea 2
Key episodes illustrated: Gargantua's birth from his mother's ear; the great mare entering Paris; the bells of Notre-Dame; the pilgrims eaten in the salad; Friar John and his cross-staff; the war with Picrochole; Panurge and Dindenault's sheep; the storm at sea; Pantagruel's tongue sheltering his companions; the army marching from the giant's mouth; Judge Bridoye deciding by dice; the Furred Cats; the battle of the Andouilles; the Abbey of Thélème; and the oracle of the Dive Bouteille with its final word: Trinch!
The Manner (vs. the Divine Comedy LoRA)
Comic grotesque: exaggerated faces, corpulent bellies, long noses, absurd gestures — caricature within serious engraving
Scale gags: colossal giants against minuscule towns, armies, and crowds; the vertigo is comic, not sublime
Dense crowds: taverns, markets, battles and processions packed with dozens of individually funny faces
16th-century French costume: doublets, hose, codpieces, monk's frocks, scholar's gowns, plumed hats, armor
Dynamic action: charging horses, swinging clubs, flying food, collapsing tables — compositions full of motion and noise
Engraved line-work: fine hatching and cross-hatching, black ink on cream paper — the same technique as the Comedy but with a lighter, busier tonal range
Horizontal plates: most Rabelais plates are landscape format, unlike the vertical Comedy plates
Architectural backdrops: medieval-Renaissance towns, castles, abbeys, ships — drawn with archaeological care as the stage for the joke
Tested Generation Settings
Parameter
Value
Base model
Krea2 Turbo
VAE
qwen_image_vae
Text encoder
qwen3vl_4b_fp8_scaled
Steps
8
Sampler
Euler a
Schedule type
Bong Tangent
CFG scale
1
Resolution
2048×1536 (horizontal — the native plate format); 1536×2048 for single-giant verticals
LoRA weight
0.9–1.0 (epoch 10 is a lighter training than 20)
Negative prompt not required at CFG 1.
Versions
Epoch 10 (current) — lighter training than the 20-epoch models; keep weight at 0.9–1.0 for full engraved texture.
Rights & Ethics
Gustave Doré died in 1883; Rabelais died in 1553. Fully public domain worldwide. Educational and creative tool.
