V67 Stylized digital vector illustration

To activate the LoRA, place the following string at the beginning of your prompt:

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(Stylized digital vector illustration:1.2), flat geometric shading, bold outline style, halftone dot texture, screen-print aesthetic, paper-cut layers, isometric vector design, posterized color bands, negative space framing, cinematic flat lighting, grainy vector overlay, calligraphic linework, overlapping parallax planes

Breakdown & Best Use Cases

Trigger WordPurpose(Stylized digital vector illustration:1.2) Primary trigger – place at the very start for strongest style adherence with higher weight flat geometric shading Defines the core rendering style – flat planes of color with minimal gradients, hard shadow edges bold outline style Activates thick, consistent vector strokes that define shapes and create graphic impact halftone dot texture Adds vintage print texture – subtle dot patterns in shadow areas for risograph/screen‐print feel screen-print aesthetic Emphasizes poster‐like quality with limited color palettes and graphic contrast paper-cut layers Creates depth through stacked, overlapping planes – suggests layered construction like cut paper isometric vector design Triggers pseudo‐3D technical precision with parallel projection and geometric composition posterized color bands Reduces gradients to distinct stepped color blocks – classic vector illustration technique negative space framing Uses empty space as a compositional tool – bold silhouettes against minimalist backgrounds cinematic flat lighting Applies dramatic lighting within a flat rendering framework – rim lights, chiaroscuro, split lighting grainy vector overlay Adds subtle noise texture across the entire image – prevents overly clean digital look calligraphic linework Activates expressive, variable‐width vector strokes – organic feel within rigid vector structure overlapping parallax planes Creates depth through multiple stacked foreground/midground/background layers moving at different speeds

Why Krea 2 + V67 Stylized digital vector illustration?

Krea 2 excels at clean geometric rendering , precise edge definition , and consistent texture application – exactly what stylized vector illustration demands. The combination produces images with:

CapabilityWhy Krea 2 ExcelsFlat color application Renders solid, even color fields without banding artifacts – pure, unbroken planes Sharp edge definition Maintains crisp boundaries between colors – essential for vector aesthetics Geometric precision Handles complex isometric and architectural structures with perfect alignment Halftone dot rendering Produces consistent, scalable dot patterns that mimic screen‐printing Line weight consistency Maintains uniform stroke thickness across the entire image Texture layering Blends grain, dots, and paper textures without muddying the underlying shapes Posterization Reduces smooth gradients to stepped color bands naturally and cleanly Parallax depth Creates convincing depth through layered planes with distinct visual separation

Signature Style Elements

Flat Geometric Shading

Not simply "flat" – this is sophisticated, intentional planar rendering:

Hard shadow edges – shadows cast as solid geometric shapes

Chiaroscuro within flatness – dramatic light/dark contrast using posterized bands

Minimal gradients – only where absolutely necessary (skies, large backgrounds)

Color blocking – each element reduced to 2–4 flat tones

Bold Outline Philosophy

Outlines are not afterthoughts – they are integral to the composition:

Consistent thickness – uniform weight across all elements

Strategic variation – thicker outlines for foreground, thinner for background

Complete enclosure – every shape fully outlined for graphic readability

Black or colored – adaptable to any palette requirement

Halftone & Texture Integration

Texture exists within the vector framework:

Subtle dot patterns – applied to shadow areas like a risograph print

Grainy overlays – uniform noise that adds tactile quality

Paper texture – subtle tooth that suggests physical printing

Screen‐print register – slight off‐register effects for authenticity

Layered Depth Construction

Depth achieved through composition, not shading:

Parallax separation – distinct foreground, midground, background planes

Overlapping shapes – elements interlock to create spatial relationships

Negative space – strategic emptiness that frames and highlights

Scale contrast – dramatic size differences between planes

Posterized Color Palettes

Colors are deliberate, limited, and graphic:

2–6 color palettes – tight, intentional schemes

Stepped gradients – color transitions in distinct bands

High contrast – light against dark, warm against cool

Desaturated base – with occasional vibrant accents

Optimised Settings for Krea 2

ParameterRecommended RangeLoRA Weight 0.60 – 0.90 CFG Scale 4.0 – 6.0 Steps 25 – 40 Sampler Euler, DPM++ 2M Karras, UniPC Resolution 1024×1024 (square) or 1536×1024 (landscape)

Starting Point Recommendations

GoalLoRA WeightCFGNotesSubtle enhancement 0.604.0Style as background detail – keeps more original character Balanced effect 0.755.0Sweet spot for most prompts – clean vector look with flexibility Strong aesthetic 0.855.5Fully realized vector style – may reduce variety Maximum stylization 0.906.0Pure vector illustration – less photographic reference

Negative Prompt (Krea 2 compatible)

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nsfw, low quality, worst quality, ugly, blurry, photograph, photorealistic, modern, contemporary, plastic, digital, sleek, minimalist, happy, sunny, bright colors, saturated, crowded, noisy, cheerful, smiling, sharp edges, chaotic, dramatic, intense, 3D render, CGI, realistic, lifelike, oil painting, watercolor, impressionist, messy, rough sketch, unfinished, pixelated, jpeg artifacts

Prompt Examples

Example 1: Samurai Warrior in Isometric Storm

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(Stylized digital vector illustration:1.2), flat geometric shading, bold outline style, halftone dot texture, screen-print aesthetic, paper-cut layers, isometric vector design, posterized color bands, negative space framing, cinematic flat lighting, grainy vector overlay, calligraphic linework, overlapping parallax planes, dramatic isometric portrait of a samurai warrior in full armor, geometric helmet with crescent moon crest, layered kusazuri skirt panels constructed as overlapping paper-cut planes, katana drawn in calligraphic silhouette, blade edge defined by a single elegant line, dramatic split lighting from a single stark light source casting a sharp diagonal shadow across his face, armor plates rendered as posterized bands of crimson lacquer and aged bronze, juxtaposed against a fragmented background of towering bamboo stalks reduced to geometric green rectangles, falling cherry blossom petals transformed into delicate vector stippling, screen-print halftone dots filling the shadow areas of the armor, warm limited palette of vermilion red, burnt orange, deep umber, olive green, and cream white, overlapping parallax layers pushing the bamboo forest far into the background, bold negative space framing the figure from the left, aggressive low angle composition creating monumental scale, subtle grainy vector overlay adding a tactile screen-print finish, reminiscent of traditional ukiyo-e woodblocks fused with modern poster design, strong graphic impact, editorial illustration style, 8k, cinematic vector art

Example 2: Mecha Pilot in Launch Bay

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(Stylized digital vector illustration:1.2), flat geometric shading, bold outline style, halftone dot texture, screen-print aesthetic, paper-cut layers, isometric vector design, posterized color bands, negative space framing, cinematic flat lighting, grainy vector overlay, calligraphic linework, overlapping parallax planes, sci-fi mecha pilot in the cockpit of a giant robot, viewed from a low angle dramatic perspective, pilot silhouette framed against the vast glowing launch bay window, control panels rendered as dense isometric geometric grids, countless switches and holographic displays reduced to posterized rectangular blocks, dramatic high-contrast flat lighting casting the pilot's face half in deep shadow, intense expression defined by bold calligraphic linework, mechanical arm interfaces with overlapping parallax layers of cables and hydraulic tubes, screen-print dot texture applied to the shadows of the metal framework, brutalist architectural interior with paper-cut layered girders and crossbeams, outside the window a massive circular launch mechanism rendered in stepped posterized color bands of cobalt blue and burning orange, cold industrial blues contrasted with warm amber indicator lights, limited palette of steel grey, navy blue, burnt sienna, and electric cyan, halftone grain on all metallic surfaces suggesting vintage sci-fi book covers, intense cinematic composition with extreme foreground/background separation, wide aspect ratio, iconic retro-futuristic aesthetic, bold graphic poster design

Example 3: Surfing Cosmic Wave

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(Stylized digital vector illustration:1.2), flat geometric shading, bold outline style, halftone dot texture, screen-print aesthetic, paper-cut layers, isometric vector design, posterized color bands, negative space framing, cinematic flat lighting, grainy vector overlay, calligraphic linework, overlapping parallax planes, surfboard slicing through a colossal curling wave transformed into overlapping parallax planes of teal and deep navy, each wave layer a distinct posterized color band creating extreme depth, surfboard itself a minimal flat geometric shape in warm coral pink against the cool ocean, surfer silhouette defined by expressive calligraphic linework, body contorted in an elegant pose, dramatic rim lighting from a low sun casting a sharp golden edge along the entire silhouette, screen-print halftone dots densely packed in the wave shadows beneath the board, spray and mist rendered as negative space – white voids carved out of the darker wave planes, bold negative space framing the wave at the top, split-complementary palette of teal, navy, coral pink, golden yellow, and crisp white, distant horizon reduced to a single crisp horizontal line, overhead perspective emphasizing the wave's power, grainy vector overlay over the entire image giving a screen-print quality, vintage surf poster aesthetic fused with modern minimalist vector design, high-contrast flat lighting emphasizing the dramatic silhouette, iconic composition, 8k, vector illustration

Example 4: Cyberpunk Street Market

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(Stylized digital vector illustration:1.2), flat geometric shading, bold outline style, halftone dot texture, screen-print aesthetic, paper-cut layers, isometric vector design, posterized color bands, negative space framing, cinematic flat lighting, grainy vector overlay, calligraphic linework, overlapping parallax planes, isometric view of a bustling cyberpunk street market at twilight, all architecture and signage reduced to bold geometric posterized shapes, neon signs translated into crisp rectangular vectors with stepped color bands of hot pink and electric blue, stalls constructed from overlapping paper-cut layers with distinct depth...